Lin Ling, female, guzheng player. He is currently a master tutor of China Conservatory of Music. Lin Ling's repertoire has a profound traditional foundation, and she is constantly exploring deeper and newer artistic fields. There are many contemporary repertoires such as "The Charm of the Mountain", "Shu Lai", "Ode in Qianzhong", "Three Chapters of Scenery" ", etc. are all from her hands, bringing the ancient musical instrument Guzheng to a new realm. Over the years, she has produced a large number of audio-visual programs for many radio stations, TV stations, and record companies, and has published many albums. It can bring the expressive power of guzheng music into full play.
Lin Ling has published at home and abroad successively "The Charm of the Mountain", "The New Voice of Yi Xiang", "Pink Butterfly Picking Flowers", "Dunhuang Tang People's Dance", "Jackdaw Playing in the Water", "Moon High", "Spring Stream and Spring" , "High Mountains and Flowing Water", "Lin Ling Guzheng Performance Collection" and other solo albums; in addition to teaching and performance, Lin Ling also serves as the editor-in-chief of the Chinese Conservatory of Music's guzheng test textbooks, and the editorial board of the Chinese National Orchestra Society's guzheng textbooks. He played and lectured on a large number of multimedia teaching materials such as "Guzheng Famous Songs Guide", "How to Play Guzheng Famous Songs", "Chinese Guzheng Examination Guidance", "Guzheng Playing Tutorial", and in 2001 for five consecutive months on CCTV three sets of "Music" In the "Classroom" column, the program "Guzheng Famous Song Guidance" is presented. Published "Overview of Traditional Chinese Zheng Music", "On the Artistic Style and Performance Characteristics of Shandong Zheng Music", "On "Rhyme Complementing the Voice" in Chaozhou Zheng Music Performance, "On the Musical Performance of Guzheng", "Famous Song Guidance— Fishing Boat Sings Evening", "Famous Song Guidance - Autumn Moon in Han Palace", "Famous Song Guidance - Plum Blossom Three Lanes" and other academic papers and performance guidance articles; published monographs include "Guzheng Introduction Teaching Materials", "Guzheng Playing Basic Course"; editor-in-chief The scores include "China Conservatory of Music Grade Examination Textbook" and "Guzheng Performance Collection"; served as the deputy editor of "Chinese Zheng Music", the editorial board of the Chinese National Orchestra Society Guzheng Grade Test Textbook, the editorial board of "Little Performer" magazine, and the guzheng industry standard formulation. An expert in the evaluation group, and has served as a judge for many domestic and international competitions.