During the Sui, Tang and Five Dynasties, due to the development of zheng skills and zheng art, people's names for zheng became more and more complicated. Among the more than 100 zheng chanting poems in "Complete Tang Poems", there are as many as 20 titles of zheng.
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With the continuous development of zheng playing technology and the strengthening of playing strength, as well as the thickening of zheng strings, false armor has become more popular.
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There is a legend in ancient times: The Yellow Emperor ordered Su Nu to play a fifty-stringed serpent. After listening to it, she was saddened, so she broke the serpent, and there are only twenty-five strings left. In Qin, there were two brothers arguing with each other, and the result was broken into two, and the name of the zheng was obtained from this.
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Guzheng is one of the oldest plucked instruments in my country. As early as the Spring and Autumn Period and the Warring States Period, it was prevalent in Shaanxi and Gansu. In 237 BC, when Li Si wrote to Qin Shihuang, he described the vivid scene of folk zheng songs: "The husband strikes the urn and knocks the fou, and the zheng beats the head and sings. Woohoo, quick ears and eyes, the true voice of Qin."
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As early as the Warring States Period from the 5th century BC to the 3rd century BC, the guzheng was widely circulated in the Qin state (now Shaanxi). The origin of the guzheng is still inconclusive. Due to historical changes and regional influences, local styles and playing techniques have been different, and thus various different guzheng schools have been formed today, making the development of guzheng more and more prosperous.
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Organized by 一杯清酒 on 2024-07-26
Organized by 没头脑 on 2024-07-25
Organized by 阿蘅 on 2024-07-23
Organized by 蕾伊 on 2024-07-22
Organized by 钟离 on 2024-07-21
Song Tingting is a member of China Guzheng Association and a guzheng teacher of Guangzhou Xinghai Conservatory of Music. He is an excellent guzheng player. Her elegant performance embodies the soul of the guzheng and makes people feel that she is a part of the Guzheng, because she deeply integrates herself into it and is one of the four shows of the Guzheng.
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Lin Yingping graduated from the Guzheng major at the Central Conservatory of Music. Formerly served as a solo performer at the Chinese Opera House. Has won the first prize in performance at the first Guangdong Music Competition. They won awards in the first "Shancheng Cup" National TV Competition and the first "ART Cup" Chinese Musical Instrument International Competition. The guzheng it plays is pure and beautiful in monochrome, round, fresh and elegant, with skillful and comprehensive playing techniques, and has a warm and smooth style without losing its tactful and implicit features.
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Young zither player, the first doctoral candidate (studying) of zither in Shanghai Conservatory of Music, and the winner of "Golden Bell Award", the highest prize in Music of China.
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During my university and graduate studies, I have performed piano skills multiple times at literary and artistic events, and collaborated with classical dance, poetry recitation competitions, violin, erhu, and other art forms. The classical charm and fashionable rhythm are vividly portrayed.
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Wang Li is a Chinese music master, whose representative work is Liuyang River.
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In the vast world of traditional Chinese music, Guzheng is unique with its unique timbre and rich expression. Among them, "Pink Lotus" as a popular guzheng repertoire, not only shows the superb skills of guzheng performance, but also conveys the composer's deep understanding of the beauty of nature.
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As a popular guzheng song, "Butterfly Love" not only carries profound cultural heritage, but also the perfect fusion of emotion and natural beauty. This song describes a romantic picture of butterflies and flowers in spring with delicate brushstrokes, arousing people's yearning for beautiful love and deep understanding of nature.
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Among the treasures of Chinese classical music, Guzheng carries thousands of years of cultural memory with its unique timbre and rich expression. Among many famous guzheng songs, Xiangshan Archdrum has become a widely acclaimed classic for its melodious melody and profound cultural connotation.
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Guzheng, as one of the most representative instruments in Chinese classical music, carries thousands of years of cultural accumulation and artistic charm. In its rich repertoire, Thirty-three Ban, with its unique structure and deep emotional expression, has become a bright pearl in the hearts of guzheng players and lovers. This piece of music not only tests the skill of the performer, but also leads the audience into a musical world full of poetry and philosophy.
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In the bright star of traditional Chinese music, Guzheng occupies a place with its unique timbre and rich expression. Among them, the song "Wild Geese" is like a vivid picture scroll, showing the delicate description and profound perception of the beauty of nature in Chinese classical music.
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