In the world of ancient Chinese literati, there is a poet famous for "picking chrysanthemums under the east hedge, leisurely seeing the south mountain", he is the reclusive poet from the late Eastern Jin Dynasty to the early Southern Song Dynasty - Tao Yuanming. His philosophy of life is not only reflected in retiring to the countryside and enjoying himself with poems and wine, but also in the story of a stringless violin, showing the noble feelings of transcending material and pursuing spiritual freedom.
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In the long river of Chinese classical music, the ancient qin melody of the Southern Song Dynasty "Xiaoxiang Water Cloud" has become a masterpiece spread through the ages with its unique artistic charm and profound emotional connotation. The story behind this piece tells the story of its creator, Guo Mian-zi Chu-Wang, and his inextricable relationship with that turbulent era, and how he fused his personal feelings and the fate of his country into the strings.
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In the history of ancient Chinese music, there was a blind musician who was famous for his extraordinary musical ability and ability to distinguish sounds. He was Shi Kuang, a musician in the State of Jin during the Spring and Autumn Period. The story of Shi Kuang's sound discrimination is not only a miracle of musical perception, but also an ode to wisdom and spiritual depth.
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In the history of ancient Chinese music, Guqin is not only a musical instrument, but also a carrier of culture. Its development process contains rich historical and humanistic feelings. Among them, the story of "King Wen of Zhou and King Wu of Zhou plus Xian" not only reflects the evolution of the shape and system of Guqin, but also reflects the virtue and governance concept of the two Kings.
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In the long history of China, Guqin is not only the carrier of music, but also the symbol of culture and philosophy. Among them, the story about "Shun making Banjo" not only carries the memory of the ancient sages, but also reflects the ancient society's yearning for harmony and virtue. This story, like an ancient song through time and space, echoes in the hearts of every lover of traditional culture.
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Organized by 陌上花 on 2024-07-17
Organized by 岚玖 on 2023-08-28
Organized by 秋色 on 2023-08-27
Organized by 秋色 on 2023-08-26
Organized by 陌上花 on 2023-08-25
Yang Qing, a famous guqin master and music educator, was born in August 1951.
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Ni Shiyun, a native of Haimen District, Nantong City, Jiangsu Province, China's famous contemporary qin mojo, the fourth generation inheritor of the Mei 'an Qin School, the representative inheritor of the intangible cultural heritage of Jiangsu Province "Guqin art" (Mei 'an Qin school), serves as the director of the Chinese Kunqu Opera Guqin Research Institute and the executive director of the Chinese Qin Association.
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Yang Qiong, the word Yu Rong, Yushan Qin school successor, South Yuqin Club president, operation aman for more than ten years, good at qin songs. He is currently the vice president of Shenzhen Guqin Association, member of Shenzhen Ethnic Orchestral Association, lecturer of Shenzhen University School of Continuing Education and so on.
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Yang Zhijian, Guqin maker and performer. Born in Shanghai in July 1974. National first-class performer; representative inheritor of Shanghai intangible cultural heritage "Guqin-making skills"; vice-chairman of Shanghai Intangible Cultural Heritage Protection Association. Winner of "Shanghai Craftsman" and "May 1st Labor Medal" in 2017.
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Huang Deyuan, inheritor of the intangible cultural heritage "Zhejiang style guqin" and "Wenzhou dialect recitation".
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Under the shade of the green, the melodious melody of the guqin drifts in the Gaofenghan Memorial Hall of Jiaozhou, bringing a cool cultural atmosphere to the hot summer. Recently, the "intangible heritage Zero distance · Yaoshan Transmission of Ya Yin" Guqin art and culture exhibition was grand opened here, and the activity was jointly sponsored by Jiaozhou Cultural Tourism Bureau, the Municipal Federation of Arts and Culture, and the Municipal Party Committee Veteran Cadres Bureau.
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In the summer of June, the melody of history and art in Suixi ancient city melodious echo, 2024 Huaibei Ji Kang Guqin art exhibition in the early morning of June 18 in Suixi Ancient City Ji Kang Qin Hall grand opening.
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A few days ago, the reporter learned from the Guangxi Guqin Culture Research Association that a Ming Dynasty guqin with more than 500 years of history recently appeared in the "landscape into the string breeze rhyme - Bagui elegant rhyme Guangxi Yinbo 2024 intangible cultural heritage Collection" activities and "Introduction to Chinese Guqin" special lecture.
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When selecting a guqin, the timbre quality is often the primary criterion to judge its quality, because the timbre is not only related to the artistic expression of the guqin, but also deeply rooted in the unique pursuit of music aesthetics in traditional Chinese culture. Here are some basic timbre elements to consider when choosing a guqin.
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Guqin, as an ancient string instrument in China, has sophisticated fingering and contains profound aesthetic and philosophical ideas. In the process of learning Guqin, in addition to mastering correct fingering skills, avoiding mistakes is equally important. The following are five taboos that should be paid special attention to in Guqin fingerings.
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