Feng Hongqi, male, drummer of Peking Opera. Tianjin people. He is a student of the 66th class of Tianjin Art School, learning Peking Opera drumming and percussion. Under the tutelage of Hang Zihe and Zhou Zihou. Since I was in school, I have often practiced on stage. Along with Li Fengge, Tao Wenlu, etc., he is always around, under the leadership of Mr. Chang Zai Hang and Zhou Zhou, he is a percussionist.
After a few years of study, with the help of Mr. Hang, Zhou, and Yu, Feng Hongqi took the role of the teacher as a student and performed operas on behalf of the teacher. Continuous observation and learning and stage practice have laid a solid foundation for Feng Hongqi in his youth, and he will use it for life.
Feng Hongqi joined the army after graduation and joined the newly established propaganda team. Immediately into the task of condolences to the troops. Later, the Peking Opera Troupe was established, and Feng Hongqi became the first batch of performers of the troupe and completed many important performance tasks. He didn't leave the stage until he retired. Stage play, assisting young actors; behind-the-scenes teaching, training young percussionists. My heart is pear orchard, and my enthusiasm is undiminished.
Feng Hongqi studied under Chenghang, an old gentleman on Tuesday, and has been nurtured for a long time in Tianjin, where the elites of the Peking Opera drum industry gather for a long time. Later, he grew up in a model opera environment, and learned about orchestral orchestration, harmony, musical form, composition and other symphonic knowledge, and was able to learn and apply it. The newly created Peking Opera gongs, drums, and music, without losing the tradition and the source, can be refreshing and refreshing. After middle age, the style of playing drums has reached a realm of "transformation". The traditional repertoire is well-known in the chest, and it is endowed with more profound connotations.
Feng Hongqi plays drums. Fan Er is big but not arrogant; Fan Er is small but not nervous. The gestures are generous and powerful. Especially when he was young, the basic skills were complete. Now, at sixty years away, the sound of falling and eating drums is still full and mellow, and it is not dry at all. When playing, the whole is particularly emphasized, and there are arrangements for the overall situation. The use of each gong scripture is clever, large and large, not sticking to the rules, not only original, but also not out of the way, but also without losing the charm of Hangzhou style.