How to solve the psychological obstacles in erhu learning?

108 views · Organized by 晚荣 on 2022-06-27

Erhu is a relatively difficult musical instrument to learn. Learning to play the erhu is like besieging a city. Some people are attracted by the sound of nature and want to come in; The process of our erhu learning is not only a breakthrough in skills, but also the interference of thoughts dominated by thoughts. Because everyone's learning process is different, the number of paragraphs is different, each paragraph has psychological problems, and there are many doubts? To a large extent, it affects whether you step into the next step and whether you can survive the dark period? Can you see tomorrow? Those who cannot find the answer in these books, especially the self-study who have no spiritual encouragement or psychological guidance, stay where they are and abandon them in anger. We might as well stand a little higher and divide the experience of learning erhu into several paragraphs for everyone to solve:

How to solve the psychological obstacles in erhu learning?

1. White chopped chicken:

At the beginning, I was very energetic, bought a piano and copied the score, and went to study everywhere. Once you find that you kill chickens every day, your fingers are not working, your arms are sore, and your relatives and friends are sarcastic. Neighbors accuse you, you will regret it. Solution: Like running, the distance is proportional to the onset of fatigue, and the balance point is the fatigue limit. Once the balance point is passed, the fatigue is accustomed to the end point. -persist in! go through difficult times. When you stick to it, the noise is reduced and the scale is straight. But the sound is not allowed to be annoyed. What is a head? Solution: Practice makes perfect. Professionals have to take this step. Maybe they are not as good as you in the beginning - hold on, you are going to be promoted! Reminder: Some bad habits such as holding the bow, carrying the bow short, and inward-looking hands begin to appear. Correct in time in front of the video mirror.

2. Break in:

After you persistently and repeatedly touching the scales and pulling the etude, your bow is stable, and the tone has found a feeling. You can play some etudes and songs of about three levels. It can be said that you are getting started, but the pitch has not been resolved. put blunt. It doesn't sound good. Looking at the difficult songs in the future, how can people pull it so well, and how can the sound come as soon as I find it? Solution: Have you ever seen acrobatics? A few minutes on stage and off stage do not know how long it takes to be accurate on stage. Your hand is just performing acrobatics on two strings, which requires repeated resets and conditioned reflexes. Hundreds of rounds of training will definitely improve the accuracy rate, I call him the track. At this time, the general teacher needs to practice slow music, but my opinion is to inject the basic concept of fast bowing. Find some small 16th-note fragments to touch the middle and fast bowing, and with the rapid burst of your piano sound, Lay the foundation for confidence building, left hand ring finger, and early entry.

3. Insipid confusion:

Your long-term perception has gradually tightened your tone, and the intonation is not bad, but it's just a dry white tone, listen to the tape, how can it be called a flavor? Solution: At this time, your embryo and the frame are ready, and you need to add bricks and tiles to it. Don't worry, you have completed the civil construction task, and there is still a second decoration process. Begin to practice the basic decorative materials such as vibrato, strumming, hugging, and glissando to prepare for construction. According to the selection method I mentioned, find a tune and perform a secondary project on each decorative phonetic transcription. The beginning is relatively stiff, and the habit can be relaxed. Once relaxed, it will come out naturally.

4. Break out of the pole:

Seeing that you have certain skills, the simple solo pieces are smoother, and the taste is beginning to take shape. Don't be complacent, some of your bad habits and fast bows have become your stumbling blocks. Gradually, it is insurmountable to expand further downwards. Your nervousness, spasms, stumbles, and doubts about action, talent. Solution: The problem in this stage is not the most difficult, as long as the efficiency is proper, the method is correct, and more practice is the fundamental. Sometimes it's annoying to practice, it's okay, rest! There is short-term fatigue from fast bow exercises. The more this time is, the more it shows that you have to make progress again. At this time, the more you practice, the worse it is, so you might as well take a day or two off. If you pick it up again, you will find that you can pass it, and then consolidate and become proficient, and you can move on to the next paragraph. If it is said that the previous progress is linear, the slope of this section decreases sharply, and it is likely to become a horizontal straight line. This period will take a long time, and quite a few people are still wandering in this period. Psychological aspects must be advanced, if an amateur can pass this level, so can you! It is necessary to combine hard practice with hibernation and self-cultivation to move forward in a roundabout way.

5. Difficulty moving:

At this stage, it is the advanced stage of erhu career and the most difficult stage of erhu learning. Due to the diversification of problems and their own conditions and the characteristics of amateurs, quite a number of people stop here or take small steps. If it is said that the future can be acquired, the proportion of talent at this time will increase, but it is still possible to "small is gratifying" by insisting on multi-directional training. At this stage,

1. Intonation is no longer a simple pitch, but the concept of systematic rhythm beauty. The beautification and audibility of the melody have become a watershed and touchstone. Breathability is the problem of always feeling that we are missing something. To jump out of the circle and remember that the kung fu of poetry is beyond poetry, improve your own musical accomplishment, listen to more music and compare tapes, establish and fix your own appreciation standards, here I want to say a few more words, many amateur Hu friends I have a problem with my own taste, that is, I can't tell the difference between good and bad. Of course, there is a problem of different understandings, but the tolerance should not be too large. Some people still listen to the concert for the sake of watching the lively. Many musicians in the band and I After listening to it, I asked him how he was doing, but he couldn't tell. I was very nervous when I listened to a concert. I compared the melody and checked whether his rapping was something inherent in my heart. I found the difference and whether it was good. If it is good, I will immediately Modify and record it in my mind; Skill learning: where is my difficulty in this song, how did he pass it, isn’t this a ready-made demo? Observe more of their performances, close to Zhu Zhechi, see more invisible transplants will occur.

2. In addition to the granularity of the fast bow at this time, there should also be changes in strength and pitch, especially the technical change of the fast bow with the precision of the big jump, which is difficult for ordinary people to surpass. With this question in mind, I visited professionals. There is a way: practice more, reset more, like grapes at the end, and stimulate it to a certain time, which truly reflects the principle of success. After a while, I found that it was natural and the position was fixed, and my experience was to practice difficult pieces first, and then go back and pull your past pieces when they are done. 

3. Continuous stability: The biggest obstacle for amateurs is whether a song can be pulled continuously without any flaws. Usually, after finishing a piece of music, it is necessary to develop the habit of pulling the punch to the end. It must not be picked up and pulled nicely. In erhu training, proficiency and stability are synonyms. It may take a year or more to become proficient in a solo piece. , those who are eager for success must stumble. There are too many songs, and there is a problem of unfamiliar restoration and neglecting one another. It is necessary to scan the memory regularly.

4. Psychological factors: If you practice at home with a score of 90, some people think it is 85 points, people in the industry see it as 80 points, and strong players see it as 60 points. The non-technical psychological interference here has a great impact. I heard that Zhu Changyue was coming to a performance once, and his legs were so frightened that he didn't dare to go on stage. To participate in more performances, Dora will show others more opportunities to show yourself, and accumulate stage experience. After 5 or 6 times of training, you can return to the usual normal level.

Friends, which section do you belong to? The purpose of writing this article is to let you see mountains and roads. When you are proud, there are mountains outside the mountains. When you are discouraged, take a break. Xie looked up at the road, mustered up the strength to go up the mountain again, come on!

Reference materials and contributors
二胡学习的心里障碍

Involving musical instruments

Erhu (Pinyin: Erhu) originated in the Tang Dynasty, called "Xiqin", and has a history of more than a thousand years. It is a traditional Chinese stringed instrument. Erhu, or Erxian Huqin, also known as "Nanhu" and "Omzi", is one of the main bowed and stringed instruments (wiping strings) in the Chinese national musical instrument family.

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