Professor of the Folk Music Department of the Central Conservatory of Music, Banhu performer, educator, and composer of folk instrumental music. Over the years, he has conducted in-depth research on the performance theory of Banhu, the scientific and systematic basic training, and the creation of national instrumental music works, and has trained Jiang Kemei, Liu Guanting, Ma Dongyan, Niu Changhong, Zhang Xuguang, Cai Yang, Xu Hui, Hu A large number of outstanding banhu performers in the new era, such as Yu, Wang Shu, Li Feng, and Shan Danfeng, have compiled and created a large number of banhu books and works.
"Banhu Performance Art", "Banhu Basic Skill Training", "Basic Banhu Performance Course", "Banhu Teaching Method", "Banhu Basic Course" (teaching CD-ROM), "Chinese National Instrumental Music Expo - Banhu Score", "Easy Nationality" Orchestral Collection", "Chinese National Orchestral Ensemble Collection", etc.
He has created, adapted and published more than 300 pieces of folk instrumental music, the main works are: Banhu Solo, Concerto "Qinchuan Xing", "Yi Shui Xing", "Ballet", "Yuan Wang", "Yimeng Song Theme Capriccio", "Nostalgia", "Chuan Tiao", "Fen Shui Love", "New Songs of Zhuang Township", etc.; Sanxian Concerto, Solo "Hujia Eighteen Beats Theme Capriccio", "Autumn Evening", "The Past"; Pipa and Orchestra "Sword Soul"; Suona Solo "Mountain Wild Love", etc.