When playing the guzheng, many people get more experience and experience in slow practice. When reading and playing the score, they should pay attention to the time mark and the notation identified by the author on the score to express the music. The style of rhyme, there are different versions of the same piece, this is also a big challenge for those who practice the zheng, but it is often found that not all musicality is represented by the tempo, and the tempo is important The foundation of the tunes played after the middle and advanced level often has parts that are loose and free to play musically. It is necessary to understand the mystery, to constantly contemplate and experience, and the playing tells us a lot of slow and fast. The way of playing is used to express the passion of the song and the playing skills of fast fingering, but most people think that the fastest player is the master, but in fact the speed that understands the rhythm is the master.

For the familiarity of playing the music, self-awareness must be refined. When you start, how much speed do you need to play in order to express your most appropriate piano sound? When we imitate the same piece of music with different playing speeds, we will find that although everyone plays the same piece, it is definitely not that we can play the same way and express the same way. Universities ask about the tempo suggested by various scores. Some teachers think that the difference should not be too much. In fact, it should be the case. However, when playing many scores, you don’t need to play them at the speed marked. This is my opinion and experience. I think it is the best speed, and the most beautiful line change is the best playing speed.

I simulated the playing methods of various speeds. For the same piece, from moderate slow playing in the first paragraph of the three paragraphs, slightly faster playing in the second stage, and fast playing in the third paragraph, This triangular relationship represents our expressiveness to the piece, from slowness to expressing its charm and emotion, to expressing stable, mature and sturdy playing from medium speed, and to experience the elastic beauty of phonology from fast speed. No one has told me how much speed I need to play for more than ten years, but in order to express my best playing ability, I recently discovered a key: to feel the light and heavy parts at the same time, to express the expression of inner emotion, from The fingering changes from fast to slow, or from slow to fast, the change of the center of gravity and the change of speed, combined with the important expressive ability of the left hand, get the essence of real playing and the experience of accumulating experience.