Sixianhu (Pinyin: sì xián hú) Sixianhu is a bow and stringed musical instrument of the Zhuang people. The timbre is rich and used for folk song accompaniment. Popular in Tian'e County, Hechi Area, Guangxi Zhuang Autonomous Region.
Erzhi (pinyin: è zhī) is similar to the pipa, and more similar to the Dinghan of the Dai people. Most of them are made by the performers for their own use, so the specifications and sizes are different. The total length of the piano body is mostly about 45 cm, the small one is only 30 cm, and the large one can reach 60 cm. There are two kinds of postures, sitting and standing.
Chaoer (pinyin: cháo ěr) is also known as copying. Mongolian bow and stringed musical instruments. It is popular in Xing'an League, Zhelimu League, Zhaowuda League in the east of Inner Mongolia Autonomous Region, and Bayannaoer League and Alxa League in the west.
Daguangxian (pinyin: dà guǎng qián) is a popular huqin national musical instrument in Taiwan and southern Fujian.
Chenni (pinyin: chēng ní) is a bow-drawn stringed musical instrument of the Zhuang people. With a long history, simple shape and soft sound, it is often used in solo or ensemble. It is popular in Donglan, Fengshan, Bama and other Zhuang mountainous areas in northwest Guangxi in Hechi area of Guangxi Zhuang Autonomous Region.
The Yi Sanhu (pinyin: yí zú sān hú) is a bow-drawn stringed musical instrument of the Axi and Sani branches of the Yi nationality. The Axi people call it Lehu, and the Sani people call it Lihu and Ehu. In Yi language, "le", "li" and "e" are all meanings of pulling. Shaped like a Zhonghu, the timbre is soft and rich, and it can be used for solo, instrumental ensemble, or to accompany folk songs and dances. It is popular in Lunan Yi Autonomous County, Maitreya, Luxi and Yiliang in Yunnan Province.
The Tajik Aijik (pinyin: tǎ jí kè àijié kè) is the only bow-drawn stringed musical instrument of the Tajik people. Unique shape, crisp sound, can be used for solo, ensemble or singing and dancing accompaniment. Popular in Tashkurgan Tajik Autonomous County, Xinjiang Uygur Autonomous Region and its adjacent areas.
The vertical konghou (pinyin: shù kōng hóu) is a bow and stringed musical instrument of the Buyi people. It is popular in all counties in the Baise area of western Guizhou, Guangxi Zhuang Autonomous Region, Zhenfeng, Xingyi, Anlong, Ceheng, Wangmo, and Funing County of Wenshan Zhuang and Miao Autonomous Prefecture in Yunnan Province.
Shizheng (pinyin: shì zhēng) is a bow-pulling stringed musical instrument of the Wa ethnic group. Also translated as appropriate vibration, scholar struggle. The Wa are also called embarrassed or vibrating. Because Zhang has only one string, it is called a single-stringed qin in Chinese. It is popular in Ximeng Wa Autonomous County and Cangyuan County in Yunnan Province.
Dinghei (pinyin: dīng hēi) is a musical instrument with bows and strings. It is called Dong Zongqin because the strings use Dong Zong silk. Also known as Ding, Duxingqin, it is the only stringed instrument of the Kemu people. Popular in Mengla, Jinghong and other places in Xishuangbanna Dai Autonomous Prefecture, Yunnan Province.
Tieqin (Pinyin: tiě qín) is also known as "Taiqin", "Special Qin" or "Iron Hu". Tibetan stringed instruments, similar in shape to the erhu, are popular in Lhasa, Shigatse, Gyantse and the vast villages and towns in Tibet. They are mostly used to accompany the classical Tibetan songs and dances "Nangma" and folk songs and dances "Dui Xie", and now they are mostly used for Tibetan opera accompaniment.
Daiding (西玎) (pinyin: dǎi dīng) Daiding is a plucked stringed musical instrument of the Dai people. Also known as Xi Ding or Ding Xi. "Ding" in the Dai language means to play the qin, which is the general name of the stringed instruments played by the Dai people. It is popular in Dehong Dai and Jingpo Autonomous Prefecture, Simao, Lincang and other areas in Yunnan Province.
Duo Lǎng ài jié kè (Pinyin: duō lǎng ài jié kè) is a Uyghur bow-drawn stringed musical instrument. Named for its popularity in the Duolang area of southern Xinjiang. It has a long history, various shapes and soft and rich timbre. It is often used in instrumental ensembles or as the accompaniment of traditional songs and dances such as "Twelve Muqam" and "Macy Lap".
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