Dabu (Pinyin: Dá bo), the soul of Uyghur music, is essential in most dance and folk songs. Dabu's timbre is crisp and loud, the sound intensity varies greatly, and the playing skills are flexible and changeable, which can play a role in setting off the atmosphere of various music plots. Popular in the north and south of the Tianshan Mountains in Xinjiang Uygur Autonomous Region.
Pai drum is a new variety of drum instruments. Appeared in the early 1960s, it was produced by Cai Huiquan and Yang Jingming of the China Central Broadcasting Chinese Orchestra based on the reform of the medium-sized hall drum and waist drum commonly used by the people, and has been continuously improved since then. The row drum consists of a set of five drums of different sizes and sounds. The drum is 29 to 33.3 centimeters tall, 16.7 to 37 centimeters in diameter on the upper mouth, and 11.7 to 37 centimeters in diameter on the lower mouth. The outer diameter of the drum frame on both sides of each drum is the same but the inner diameter is different, which can produce two tones with different pitches, so there are ten tones in five drums. The sound of the row drums is fierce and swaying, the treble is firm and powerful, and the middle and bass are generous and bright, especially good at expressing warm and jubilant emotions.
Big drum (Sanskrit name dundubhi) musical instrument name. A kind of percussion instrument, also known as Taiko and Tanggu, is also the most frequently used percussion instrument. That is, a hollow wooden cylinder is covered with leather for percussion instruments. The exterior color of the drum body is mostly red, and a few are black and wood color. The bass drum is struck by a single drumstick, called the big drumstick, with a head that can be used on both sides and is covered with wool or felt. Usually when struck, it is between the center of the drum and the rim of the drum, and the center of the drum is only used for short and fast hits (staccato) and special effects.
War drums (pinyin: Zhàngǔ) are of different sizes, and are divided by the diameter of the drum surface. There are five sizes of 27, 33, 40, 46 and 54 cm, and their drum bodies are 17, 20, 24, 30 and 34 cm high respectively. The material used for making war drums is the same as that of Tanggu, but the drum body can also be made of basswood, with 2-4 drum rings in the middle. Play with a wooden hob. War drums were used on the battlefield in ancient times to send orders and boost morale. In modern times, they are mainly used in folk instrumental ensembles, dances, lantern festivals, acrobatics and gongs and drums.
The waist drum (pinyin: Yāogǔ) is one of the traditional Han nationality musical instruments, and it is an ancient national musical instrument of the Chinese Han nationality. It originates from life and expresses life well. The waist drum is a national musical instrument with a long history and crisp sound. the artistry.
Xiaogu (pinyin: xiǎo gǔ) is a musical instrument of the Zhuang, Dong, Yi, Tujia and other ethnic groups. Popular in Guangxi, Guizhou, Yunnan, Hubei, Hunan and other provinces. Snare drums are mostly used in the folk, and are used during Chinese New Year. It is basically the same as the big drum, except that the drum skin is made of sheepskin, and the side that does not strike is stretched with multiple strings; the drum drum uses two hardwood drums, and the drum head is smaller and does not contain any foreign objects.
Nae (pinyin: Nà é), also known as Reba drum. The Tibetan and Monba people play musical instruments that strike the membrane. The Han people call it the Tibetan hand drum. Popular in Tibet's Qamdo, Nagqu, Nyingchi, Qinghai Yushu, Gannan in Gansu, Ganzi in Sichuan and Diqing in Yunnan and other Tibetan areas. Originally a Tibetan religious musical instrument. It has become an inseparable accompaniment instrument for folk songs and dances such as Tibetan "reba dance". It is called "hand drum" in Chinese. Popular in the Tibet Autonomous Region and other Tibetan-inhabited areas.
Nagra (pinyin: Nà gélā) was called Nagara and Nugula in the historical records of the Qing Dynasty. Because the drum body is made of iron, the Han people call it iron drum, and it is also known as Dongba. Popular in Xinjiang Uygur Autonomous Region.
Huangnigu (pinyin: Huáng ní gǔ) belongs to a kind of long drum, and is a folk musical instrument loved by the Yao people living on Dayao Mountain. The most special thing about this kind of drum is to use the yellow mud unique to Dayao Mountain to paste the drum surface to set the drum sound, so people call it yellow mud drum. The drum surface that has been pasted with yellow mud is thicker and thicker due to its wetness. When struck, it emits a double-sounding sound of "empty center, empty center", which is particularly loud and beautiful, and the sound travels miles away. The yellow mud drum is made of soft, tough and lightweight paulownia wood with hollow ends. There are male and female drums. The male drum has a long waist, the female drum has a short waist, and both ends of the drum head are trumpet-shaped.
The stick drum (pinyin: zhàng gǔ), the Korean mixed percussion instrument, also known as the long drum, is called bu in Korean. Popular in Liaoning, Jilin, Heilongjiang, Inner Mongolia, Hebei and other provinces, especially in Yanbian Korean Autonomous Prefecture in Jilin Province.
Wangdu (pinyin: Wāng dōu), also known as yellow mud drum, long drum and horizontal drum. The Yao ethnic group is a mixed percussion instrument. It is popular in Liannan Yao Autonomous County of Guangdong Province and other places. Originating from the ancient slender waist drum, it has been widely circulated among the people during the Southern Song Dynasty.
Damaru (Pinyin: Dá mǎ rú) is a Tibetan and Mongolian musical instrument that strikes the membrane. Tibetan is also known as Daru and Dari. In Mongolian, it is called Danbulenger and Bulenger. The Han people call it Dharma drum and rattle drum. It is popular in Tibetan Buddhist monasteries in Tibet and Inner Mongolia Autonomous Region.
Jiangu (Pinyin: Jiàn gǔ), anciently known as Foot Drum, Jin Drum, Ying Drum, Zhi Drum, and Hanging Drum. The Mongolian, Manchu, Han and other nationalities play musical instruments that strike the membrane. It was used by the palaces of all dynasties. It is popular in lama monasteries in Inner Mongolia, Liaoning, Jilin, Qinghai and other provinces and regions and the vast areas of the Han nationality. The Jiangu in the Lama monastery in Inner Mongolia Autonomous Region has a wooden drum body, a short and round drum body, a drum length of 20 cm, and a diameter of 30 cm at both ends. When playing indoors, insert the wooden column that runs straight through the drum body into the wooden base, and play with both hands; when playing outdoors, hold the wooden column with the left hand and play with the single hammer with the right hand.
There are three common types of long drums (pinyin: cháng gǔ), one is the Korean long drum, the other is the Yao nationality long drum, and the other is the Fuzhou wolf string. The Korean long drum is mainly popular in Yanbian Korean Autonomous Prefecture of Jilin Province and other areas inhabited by Koreans, also known as Fugu. The Yao nationality long drum has been circulated in the Song Dynasty. It is mostly made of Yanzhi wood with fine craftsmanship. It is mainly used for dance accompaniment. Fuzhou wolf string, also known as Fuzhou long drum, is a traditional Fujian folk percussion instrument, which is mostly used in Fujian folk music.
Guangyuan (pinyin: Guāng lǒng) is also known as Guanglong. "Guangnong" means a big drum, and "Ga" means dance, that is, a big drum. The Dai nationality smashes the membrane sounding instrument. "Light" in Dai language means drum. "Zhou" or "Nong" are both big, meaning a big drum. Popular in Yunnan Province Xishuangbanna Dai Autonomous Prefecture, Dehong Dai and Jingpo Autonomous Prefecture, Menglian, Gengma and other places. The Baoshan Dai area in the lower reaches of the Nujiang River is called "Guangnong", and the Dai area in Xishuangbanna is called "Guangbian".
The book drum (pinyin: shū gǔ) is one of the traditional Han Chinese musical instruments. Popular all over the country, it is specially used for the accompaniment of various drum books such as the rap music "Dagushu" in northern China. When playing, the book drum is placed on a drum stand, and the drum stand is made of six thin bamboos tied with ropes. The drum surface is slightly lower than the elbow, or the book drum is supported on a small wooden frame. The rapper holds a book board or pear flower slice in his left hand, and a single arrow in his right hand strikes the drum surface.
Lifting the drum (pinyin: Tái gǔ), also known as the water drum. The Dai and De'ang people play musical instruments that strike the membrane. The Dai language in the Dehong area is called Meizangga. It is called Gelendang in De'ang language, which means big drum. It is popular in Dehong Dai and Jingpo Autonomous Prefecture and Baoshan area of Yunnan Province. It has a long history. As early as more than 500 years ago, the Dai and De'ang people have spread this kind of drum among the people. Li Sicong's "Bai Yi Zhuan" in the Ming Dynasty contained: "When feasting in the countryside, he beat drums, played reeds, and danced (shield) boards for fun". It shows that it is widely used in grand festivals and folk entertainment occasions. For hundreds of years, the big drum has been popular in Dai Township.
Shengu (Pinyin: Shén gǔ) is also known as Lama Drum. It is a percussion instrument used by Tibetan and Mongolian lama monasteries. Popular in Tibet, Qinghai, Gansu, Sichuan, Yunnan, Inner Mongolia and other provinces.
The octagonal drum (pinyin: bā jiǎo gǔ) is a kind of slap-membrane musical instrument used by the Manchu people for self-entertainment in ancient times. The drum body is flat and small, and the drum surface is octagonal, representing the Eight Banners of the Qing Dynasty at that time. The drum frame is made of eight pieces of ebony, red sandalwood, mahogany, rosewood and bone pieces; it is said that the leaders of the Eight Banners each offered a piece of the best wood inlay. Two to three small copper cymbals are embedded in each of the seven sides of the frame, and one side is inlaid with studs and drum spikes, implying the abundance of grains. It is a traditional form of folk art that is popular among the people.
Hand drum (pinyin: shǒu gǔ) is a mixed-membrane sounding instrument of the Uyghur and Uzbeks. It has a long history and has long appeared in Dunhuang and Northern Wei murals from the fourth to sixth centuries. popular in Xinjiang.
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